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Service & Software Global Post-production Sound Effects Market 2026 by Company, Regions, Type and Application, Forecast to 2032

  • RnM4670947
    • |
  • 10 February, 2026
    • |
  • Global
    • |
  • 125 Pages
    • |
  • GIR
    • |
  • Service & Software

According to our (Global Info Research) latest study, the global Post-production Sound Effects market size was valued at US$ 3248 million in 2025 and is forecast to a readjusted size of US$ 6207 million by 2032 with a CAGR of 9.8% during review period.
Post-production sound effects refer to the entire process of "secondary creation" and fine-tuning of the sound components after the visual content of films, animations, commercials, games, etc., has been completed. This includes dialogue refining, ambient sound preparation, sound effects (footsteps, clothing rubbing, object collisions, etc.), special effects sound design (explosions, magic, science fiction sounds), background music coordination, and final mixing. Simply put, it involves rebuilding a complete, believable, and emotionally compelling sound world for the visuals, building upon the often noisy, thin, and hollow original sound recordings. It aims to ensure that dialogue is clear and understandable while enhancing the narrative and emotion through spatial awareness, layering, and rhythm. It is one of the key steps in transforming audiovisual works from "visually appealing" to "visually and aurally pleasing."
This report is a detailed and comprehensive analysis for global Post-production Sound Effects market. Both quantitative and qualitative analyses are presented by company, by region & country, by Type and by Application. As the market is constantly changing, this report explores the competition, supply and demand trends, as well as key factors that contribute to its changing demands across many markets. Company profiles and product examples of selected competitors, along with market share estimates of some of the selected leaders for the year 2025, are provided.
Key Features:
Global Post-production Sound Effects market size and forecasts, in consumption value ($ Million), 2021-2032
Global Post-production Sound Effects market size and forecasts by region and country, in consumption value ($ Million), 2021-2032
Global Post-production Sound Effects market size and forecasts, by Type and by Application, in consumption value ($ Million), 2021-2032
Global Post-production Sound Effects market shares of main players, in revenue ($ Million), 2021-2026
The Primary Objectives in This Report Are:
To determine the size of the total market opportunity of global and key countries
To assess the growth potential for Post-production Sound Effects
To forecast future growth in each product and end-use market
To assess competitive factors affecting the marketplace
This report profiles key players in the global Post-production Sound Effects market based on the following parameters - company overview, revenue, gross margin, product portfolio, geographical presence, and key developments. Key companies covered as a part of this study include Aoni Production, 81 Produce, Production Baobab, Crunchyroll, Bang Zoom! Studios, Ocean Studios, Sigma Seven, Osawa Office, Ken Production, Haikyo, etc.
This report also provides key insights about market drivers, restraints, opportunities, new product launches or approvals.
Market segmentation
Post-production Sound Effects market is split by Type and by Application. For the period 2021-2032, the growth among segments provides accurate calculations and forecasts for Consumption Value by Type and by Application. This analysis can help you expand your business by targeting qualified niche markets.
Market segment by Type
Dialogue Editing & Cleanup
Foley Sound Effects
Ambience & Atmosphere Design
Market segment by Voice Source
Human Voice Acting
AI-generated Voice Acting
Hybrid Voice Production
Market segment by Production Method
Studio Voice Recording
Remote Voice Production
Automated Voice Synthesis
Market segment by Application
Anime Production
Video Game Animation
Motion Comics
Others
Market segment by players, this report covers
Aoni Production
81 Produce
Production Baobab
Crunchyroll
Bang Zoom! Studios
Ocean Studios
Sigma Seven
Osawa Office
Ken Production
Haikyo
NYAV Post
Studiopolis
Kinsen Studio
729 Voice
Voice Bear Studio
Light Cubes Studio
TrioPen Studio
JY Animation
Market segment by regions, regional analysis covers
North America (United States, Canada and Mexico)
Europe (Germany, France, UK, Russia, Italy and Rest of Europe)
Asia-Pacific (China, Japan, South Korea, India, Southeast Asia and Rest of Asia-Pacific)
South America (Brazil, Rest of South America)
Middle East & Africa (Turkey, Saudi Arabia, UAE, Rest of Middle East & Africa)
The content of the study subjects, includes a total of 13 chapters:
Chapter 1, to describe Post-production Sound Effects product scope, market overview, market estimation caveats and base year.
Chapter 2, to profile the top players of Post-production Sound Effects, with revenue, gross margin, and global market share of Post-production Sound Effects from 2021 to 2026.
Chapter 3, the Post-production Sound Effects competitive situation, revenue, and global market share of top players are analyzed emphatically by landscape contrast.
Chapter 4 and 5, to segment the market size by Type and by Application, with consumption value and growth rate by Type, by Application, from 2021 to 2032.
Chapter 6, 7, 8, 9, and 10, to break the market size data at the country level, with revenue and market share for key countries in the world, from 2021 to 2026.and Post-production Sound Effects market forecast, by regions, by Type and by Application, with consumption value, from 2027 to 2032.
Chapter 11, market dynamics, drivers, restraints, trends, Porters Five Forces analysis.
Chapter 12, the key raw materials and key suppliers, and industry chain of Post-production Sound Effects.
Chapter 13, to describe Post-production Sound Effects research findings and conclusion.


1 Market Overview

  • 1.1 Product Overview and Scope
  • 1.2 Market Estimation Caveats and Base Year
  • 1.3 Classification of Post-production Sound Effects by Type
    • 1.3.1 Overview: Global Post-production Sound Effects Market Size by Type: 2021 Versus 2025 Versus 2032
    • 1.3.2 Global Post-production Sound Effects Consumption Value Market Share by Type in 2025
    • 1.3.3 Dialogue Editing & Cleanup
    • 1.3.4 Foley Sound Effects
    • 1.3.5 Ambience & Atmosphere Design
  • 1.4 Classification of Post-production Sound Effects by Voice Source
    • 1.4.1 Overview: Global Post-production Sound Effects Market Size by Voice Source: 2021 Versus 2025 Versus 2032
    • 1.4.2 Global Post-production Sound Effects Consumption Value Market Share by Voice Source in 2025
    • 1.4.3 Human Voice Acting
    • 1.4.4 AI-generated Voice Acting
    • 1.4.5 Hybrid Voice Production
  • 1.5 Classification of Post-production Sound Effects by Production Method
    • 1.5.1 Overview: Global Post-production Sound Effects Market Size by Production Method: 2021 Versus 2025 Versus 2032
    • 1.5.2 Global Post-production Sound Effects Consumption Value Market Share by Production Method in 2025
    • 1.5.3 Studio Voice Recording
    • 1.5.4 Remote Voice Production
    • 1.5.5 Automated Voice Synthesis
  • 1.6 Global Post-production Sound Effects Market by Application
    • 1.6.1 Overview: Global Post-production Sound Effects Market Size by Application: 2021 Versus 2025 Versus 2032
    • 1.6.2 Anime Production
    • 1.6.3 Video Game Animation
    • 1.6.4 Motion Comics
    • 1.6.5 Others
  • 1.7 Global Post-production Sound Effects Market Size & Forecast
  • 1.8 Global Post-production Sound Effects Market Size and Forecast by Region
    • 1.8.1 Global Post-production Sound Effects Market Size by Region: 2021 VS 2025 VS 2032
    • 1.8.2 Global Post-production Sound Effects Market Size by Region, (2021-2032)
    • 1.8.3 North America Post-production Sound Effects Market Size and Prospect (2021-2032)
    • 1.8.4 Europe Post-production Sound Effects Market Size and Prospect (2021-2032)
    • 1.8.5 Asia-Pacific Post-production Sound Effects Market Size and Prospect (2021-2032)
    • 1.8.6 South America Post-production Sound Effects Market Size and Prospect (2021-2032)
    • 1.8.7 Middle East & Africa Post-production Sound Effects Market Size and Prospect (2021-2032)

2 Company Profiles

  • 2.1 Aoni Production
    • 2.1.1 Aoni Production Details
    • 2.1.2 Aoni Production Major Business
    • 2.1.3 Aoni Production Post-production Sound Effects Product and Solutions
    • 2.1.4 Aoni Production Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.1.5 Aoni Production Recent Developments and Future Plans
  • 2.2 81 Produce
    • 2.2.1 81 Produce Details
    • 2.2.2 81 Produce Major Business
    • 2.2.3 81 Produce Post-production Sound Effects Product and Solutions
    • 2.2.4 81 Produce Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.2.5 81 Produce Recent Developments and Future Plans
  • 2.3 Production Baobab
    • 2.3.1 Production Baobab Details
    • 2.3.2 Production Baobab Major Business
    • 2.3.3 Production Baobab Post-production Sound Effects Product and Solutions
    • 2.3.4 Production Baobab Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.3.5 Production Baobab Recent Developments and Future Plans
  • 2.4 Crunchyroll
    • 2.4.1 Crunchyroll Details
    • 2.4.2 Crunchyroll Major Business
    • 2.4.3 Crunchyroll Post-production Sound Effects Product and Solutions
    • 2.4.4 Crunchyroll Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.4.5 Crunchyroll Recent Developments and Future Plans
  • 2.5 Bang Zoom! Studios
    • 2.5.1 Bang Zoom! Studios Details
    • 2.5.2 Bang Zoom! Studios Major Business
    • 2.5.3 Bang Zoom! Studios Post-production Sound Effects Product and Solutions
    • 2.5.4 Bang Zoom! Studios Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.5.5 Bang Zoom! Studios Recent Developments and Future Plans
  • 2.6 Ocean Studios
    • 2.6.1 Ocean Studios Details
    • 2.6.2 Ocean Studios Major Business
    • 2.6.3 Ocean Studios Post-production Sound Effects Product and Solutions
    • 2.6.4 Ocean Studios Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.6.5 Ocean Studios Recent Developments and Future Plans
  • 2.7 Sigma Seven
    • 2.7.1 Sigma Seven Details
    • 2.7.2 Sigma Seven Major Business
    • 2.7.3 Sigma Seven Post-production Sound Effects Product and Solutions
    • 2.7.4 Sigma Seven Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.7.5 Sigma Seven Recent Developments and Future Plans
  • 2.8 Osawa Office
    • 2.8.1 Osawa Office Details
    • 2.8.2 Osawa Office Major Business
    • 2.8.3 Osawa Office Post-production Sound Effects Product and Solutions
    • 2.8.4 Osawa Office Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.8.5 Osawa Office Recent Developments and Future Plans
  • 2.9 Ken Production
    • 2.9.1 Ken Production Details
    • 2.9.2 Ken Production Major Business
    • 2.9.3 Ken Production Post-production Sound Effects Product and Solutions
    • 2.9.4 Ken Production Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.9.5 Ken Production Recent Developments and Future Plans
  • 2.10 Haikyo
    • 2.10.1 Haikyo Details
    • 2.10.2 Haikyo Major Business
    • 2.10.3 Haikyo Post-production Sound Effects Product and Solutions
    • 2.10.4 Haikyo Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.10.5 Haikyo Recent Developments and Future Plans
  • 2.11 NYAV Post
    • 2.11.1 NYAV Post Details
    • 2.11.2 NYAV Post Major Business
    • 2.11.3 NYAV Post Post-production Sound Effects Product and Solutions
    • 2.11.4 NYAV Post Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.11.5 NYAV Post Recent Developments and Future Plans
  • 2.12 Studiopolis
    • 2.12.1 Studiopolis Details
    • 2.12.2 Studiopolis Major Business
    • 2.12.3 Studiopolis Post-production Sound Effects Product and Solutions
    • 2.12.4 Studiopolis Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.12.5 Studiopolis Recent Developments and Future Plans
  • 2.13 Kinsen Studio
    • 2.13.1 Kinsen Studio Details
    • 2.13.2 Kinsen Studio Major Business
    • 2.13.3 Kinsen Studio Post-production Sound Effects Product and Solutions
    • 2.13.4 Kinsen Studio Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.13.5 Kinsen Studio Recent Developments and Future Plans
  • 2.14 729 Voice
    • 2.14.1 729 Voice Details
    • 2.14.2 729 Voice Major Business
    • 2.14.3 729 Voice Post-production Sound Effects Product and Solutions
    • 2.14.4 729 Voice Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.14.5 729 Voice Recent Developments and Future Plans
  • 2.15 Voice Bear Studio
    • 2.15.1 Voice Bear Studio Details
    • 2.15.2 Voice Bear Studio Major Business
    • 2.15.3 Voice Bear Studio Post-production Sound Effects Product and Solutions
    • 2.15.4 Voice Bear Studio Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.15.5 Voice Bear Studio Recent Developments and Future Plans
  • 2.16 Light Cubes Studio
    • 2.16.1 Light Cubes Studio Details
    • 2.16.2 Light Cubes Studio Major Business
    • 2.16.3 Light Cubes Studio Post-production Sound Effects Product and Solutions
    • 2.16.4 Light Cubes Studio Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.16.5 Light Cubes Studio Recent Developments and Future Plans
  • 2.17 TrioPen Studio
    • 2.17.1 TrioPen Studio Details
    • 2.17.2 TrioPen Studio Major Business
    • 2.17.3 TrioPen Studio Post-production Sound Effects Product and Solutions
    • 2.17.4 TrioPen Studio Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.17.5 TrioPen Studio Recent Developments and Future Plans
  • 2.18 JY Animation
    • 2.18.1 JY Animation Details
    • 2.18.2 JY Animation Major Business
    • 2.18.3 JY Animation Post-production Sound Effects Product and Solutions
    • 2.18.4 JY Animation Post-production Sound Effects Revenue, Gross Margin and Market Share (2021-2026)
    • 2.18.5 JY Animation Recent Developments and Future Plans

3 Market Competition, by Players

  • 3.1 Global Post-production Sound Effects Revenue and Share by Players (2021-2026)
  • 3.2 Market Share Analysis (2025)
    • 3.2.1 Market Share of Post-production Sound Effects by Company Revenue
    • 3.2.2 Top 3 Post-production Sound Effects Players Market Share in 2025
    • 3.2.3 Top 6 Post-production Sound Effects Players Market Share in 2025
  • 3.3 Post-production Sound Effects Market: Overall Company Footprint Analysis
    • 3.3.1 Post-production Sound Effects Market: Region Footprint
    • 3.3.2 Post-production Sound Effects Market: Company Product Type Footprint
    • 3.3.3 Post-production Sound Effects Market: Company Product Application Footprint
  • 3.4 New Market Entrants and Barriers to Market Entry
  • 3.5 Mergers, Acquisition, Agreements, and Collaborations

4 Market Size Segment by Type

  • 4.1 Global Post-production Sound Effects Consumption Value and Market Share by Type (2021-2026)
  • 4.2 Global Post-production Sound Effects Market Forecast by Type (2027-2032)

5 Market Size Segment by Application

  • 5.1 Global Post-production Sound Effects Consumption Value Market Share by Application (2021-2026)
  • 5.2 Global Post-production Sound Effects Market Forecast by Application (2027-2032)

6 North America

  • 6.1 North America Post-production Sound Effects Consumption Value by Type (2021-2032)
  • 6.2 North America Post-production Sound Effects Market Size by Application (2021-2032)
  • 6.3 North America Post-production Sound Effects Market Size by Country
    • 6.3.1 North America Post-production Sound Effects Consumption Value by Country (2021-2032)
    • 6.3.2 United States Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 6.3.3 Canada Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 6.3.4 Mexico Post-production Sound Effects Market Size and Forecast (2021-2032)

7 Europe

  • 7.1 Europe Post-production Sound Effects Consumption Value by Type (2021-2032)
  • 7.2 Europe Post-production Sound Effects Consumption Value by Application (2021-2032)
  • 7.3 Europe Post-production Sound Effects Market Size by Country
    • 7.3.1 Europe Post-production Sound Effects Consumption Value by Country (2021-2032)
    • 7.3.2 Germany Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 7.3.3 France Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 7.3.4 United Kingdom Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 7.3.5 Russia Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 7.3.6 Italy Post-production Sound Effects Market Size and Forecast (2021-2032)

8 Asia-Pacific

  • 8.1 Asia-Pacific Post-production Sound Effects Consumption Value by Type (2021-2032)
  • 8.2 Asia-Pacific Post-production Sound Effects Consumption Value by Application (2021-2032)
  • 8.3 Asia-Pacific Post-production Sound Effects Market Size by Region
    • 8.3.1 Asia-Pacific Post-production Sound Effects Consumption Value by Region (2021-2032)
    • 8.3.2 China Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 8.3.3 Japan Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 8.3.4 South Korea Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 8.3.5 India Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 8.3.6 Southeast Asia Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 8.3.7 Australia Post-production Sound Effects Market Size and Forecast (2021-2032)

9 South America

  • 9.1 South America Post-production Sound Effects Consumption Value by Type (2021-2032)
  • 9.2 South America Post-production Sound Effects Consumption Value by Application (2021-2032)
  • 9.3 South America Post-production Sound Effects Market Size by Country
    • 9.3.1 South America Post-production Sound Effects Consumption Value by Country (2021-2032)
    • 9.3.2 Brazil Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 9.3.3 Argentina Post-production Sound Effects Market Size and Forecast (2021-2032)

10 Middle East & Africa

  • 10.1 Middle East & Africa Post-production Sound Effects Consumption Value by Type (2021-2032)
  • 10.2 Middle East & Africa Post-production Sound Effects Consumption Value by Application (2021-2032)
  • 10.3 Middle East & Africa Post-production Sound Effects Market Size by Country
    • 10.3.1 Middle East & Africa Post-production Sound Effects Consumption Value by Country (2021-2032)
    • 10.3.2 Turkey Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 10.3.3 Saudi Arabia Post-production Sound Effects Market Size and Forecast (2021-2032)
    • 10.3.4 UAE Post-production Sound Effects Market Size and Forecast (2021-2032)

11 Market Dynamics

  • 11.1 Post-production Sound Effects Market Drivers
  • 11.2 Post-production Sound Effects Market Restraints
  • 11.3 Post-production Sound Effects Trends Analysis
  • 11.4 Porters Five Forces Analysis
    • 11.4.1 Threat of New Entrants
    • 11.4.2 Bargaining Power of Suppliers
    • 11.4.3 Bargaining Power of Buyers
    • 11.4.4 Threat of Substitutes
    • 11.4.5 Competitive Rivalry

12 Industry Chain Analysis

  • 12.1 Post-production Sound Effects Industry Chain
  • 12.2 Post-production Sound Effects Upstream Analysis
  • 12.3 Post-production Sound Effects Midstream Analysis
  • 12.4 Post-production Sound Effects Downstream Analysis

13 Research Findings and Conclusion

    14 Appendix

    • 14.1 Methodology
    • 14.2 Research Process and Data Source

    Summary:
    Get latest Market Research Reports on Post-production Sound Effects. Industry analysis & Market Report on Post-production Sound Effects is a syndicated market report, published as Global Post-production Sound Effects Market 2026 by Company, Regions, Type and Application, Forecast to 2032. It is complete Research Study and Industry Analysis of Post-production Sound Effects market, to understand, Market Demand, Growth, trends analysis and Factor Influencing market.

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