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Service & Software Global Music Promoter Software Market 2026 by Company, Regions, Type and Application, Forecast to 2032

  • RnM4670207
    • |
  • 22 January, 2026
    • |
  • Global
    • |
  • 108 Pages
    • |
  • GIR
    • |
  • Service & Software

According to our (Global Info Research) latest study, the global Music Promoter Software market size was valued at US$ 229 million in 2025 and is forecast to a readjusted size of US$ 489 million by 2032 with a CAGR of 11.6% during review period.
Music Promoter Software refers the software tools and platforms, mobile apps that mainly used by music promoters to publicise and promote upcoming music live events and concerts activities, it helps Music Promoters to organize gigs, book bands or artists and advertise the shows to bring in paying attendees and profits.
The main global Music Promoter Software players include Bandsintown, Eventbrite, Prism, Beatswitch, EventBooking(PromoterOps), etc. The top five Music Promoter Software players account for approximately 52% of the total market. North America is the largest consumer market for Music Promoter Software, accounting for about 68%, followed by Europe. In terms of type, Bandsintown is the largest segment, with a share over 17%. And in terms of application, the largest application is Large Enterprises, followed by SMEs.
The Music Promoter Software market is driven by the radical transformation of the music industry itself. The shift from physical sales and downloads to streaming has created a complex, data-driven, and highly competitive environment where artists and labels desperately need tools to cut through the noise.
Music Promoter Software market drivers:
1. The Fundamental Shift in the Music Industry Landscape
This is the overarching driver creating the need for such software.
The Dominance of Streaming Platforms: The entire industry now revolves around platforms like Spotify, Apple Music, Amazon Music, and YouTube. Success is measured in streams, playlist adds, and algorithmic favor. Promoter software is specifically designed to navigate and influence these ecosystems.
The "Democratization" of Music Production: High-quality recording and production equipment is now affordable. This has led to an exponential increase in the number of artists and songs released every day (tens of thousands of tracks are uploaded to streaming services daily). This creates an intense saturation where professional promotion is no longer a luxury but a necessity to be discovered.
The Decline of Traditional Gatekeepers: While playlists are the new gatekeepers, the traditional power of radio DJs and major label A&R teams has diminished. Independent artists and labels now have direct access to tools and audiences, but they need software to execute strategies effectively.
2. The Critical Need for Data-Driven Decision Making
Gone are the days of gut-feeling promotions. Success is now measured and optimized with data.
Understanding Listeners: Promoters and artists need to know exactly who their audience is—age, gender, location, and what other music they like. Software provides this analytics depth far beyond the basic numbers a streaming platform might show.
Measuring Campaign ROI: Labels and artists need to know if their marketing spend is working. Software tools track campaign performance, link efforts to specific outcomes (like a surge in streams or followers), and justify marketing budgets.
Identifying Growth Opportunities: Analytics can reveal untapped markets (e.g., "your song is unexpectedly popular in a specific city or country"), allowing for targeted promotional efforts like geo-focused playlisting or social media ads.
This report is a detailed and comprehensive analysis for global Music Promoter Software market. Both quantitative and qualitative analyses are presented by company, by region & country, by Type and by Application. As the market is constantly changing, this report explores the competition, supply and demand trends, as well as key factors that contribute to its changing demands across many markets. Company profiles and product examples of selected competitors, along with market share estimates of some of the selected leaders for the year 2025, are provided.
Key Features:
Global Music Promoter Software market size and forecasts, in consumption value ($ Million), 2021-2032
Global Music Promoter Software market size and forecasts by region and country, in consumption value ($ Million), 2021-2032
Global Music Promoter Software market size and forecasts, by Type and by Application, in consumption value ($ Million), 2021-2032
Global Music Promoter Software market shares of main players, in revenue ($ Million), 2021-2026
The Primary Objectives in This Report Are:
To determine the size of the total market opportunity of global and key countries
To assess the growth potential for Music Promoter Software
To forecast future growth in each product and end-use market
To assess competitive factors affecting the marketplace
This report profiles key players in the global Music Promoter Software market based on the following parameters - company overview, revenue, gross margin, product portfolio, geographical presence, and key developments. Key companies covered as a part of this study include Prism, Muzeek, Gigwell, Soundcharts, Beatswitch, Eventbrite, Sonicbids, Bandsintown, Groover, Landr, etc.
This report also provides key insights about market drivers, restraints, opportunities, new product launches or approvals.
Market segmentation
Music Promoter Software market is split by Type and by Application. For the period 2021-2032, the growth among segments provides accurate calculations and forecasts for Consumption Value by Type and by Application. This analysis can help you expand your business by targeting qualified niche markets.
Market segment by Type
Cloud-based
Web-based
Market segment by Application
Large Enterprises
SMEs
Market segment by players, this report covers
Prism
Muzeek
Gigwell
Soundcharts
Beatswitch
Eventbrite
Sonicbids
Bandsintown
Groover
Landr
Symphonic
DISCO
Market segment by regions, regional analysis covers
North America (United States, Canada and Mexico)
Europe (Germany, France, UK, Russia, Italy and Rest of Europe)
Asia-Pacific (China, Japan, South Korea, India, Southeast Asia and Rest of Asia-Pacific)
South America (Brazil, Rest of South America)
Middle East & Africa (Turkey, Saudi Arabia, UAE, Rest of Middle East & Africa)
The content of the study subjects, includes a total of 13 chapters:
Chapter 1, to describe Music Promoter Software product scope, market overview, market estimation caveats and base year.
Chapter 2, to profile the top players of Music Promoter Software, with revenue, gross margin, and global market share of Music Promoter Software from 2021 to 2026.
Chapter 3, the Music Promoter Software competitive situation, revenue, and global market share of top players are analyzed emphatically by landscape contrast.
Chapter 4 and 5, to segment the market size by Type and by Application, with consumption value and growth rate by Type, by Application, from 2021 to 2032.
Chapter 6, 7, 8, 9, and 10, to break the market size data at the country level, with revenue and market share for key countries in the world, from 2021 to 2026.and Music Promoter Software market forecast, by regions, by Type and by Application, with consumption value, from 2027 to 2032.
Chapter 11, market dynamics, drivers, restraints, trends, Porters Five Forces analysis.
Chapter 12, the key raw materials and key suppliers, and industry chain of Music Promoter Software.
Chapter 13, to describe Music Promoter Software research findings and conclusion.


1 Market Overview

  • 1.1 Product Overview and Scope
  • 1.2 Market Estimation Caveats and Base Year
  • 1.3 Classification of Music Promoter Software by Type
    • 1.3.1 Overview: Global Music Promoter Software Market Size by Type: 2021 Versus 2025 Versus 2032
    • 1.3.2 Global Music Promoter Software Consumption Value Market Share by Type in 2025
    • 1.3.3 Cloud-based
    • 1.3.4 Web-based
  • 1.4 Global Music Promoter Software Market by Application
    • 1.4.1 Overview: Global Music Promoter Software Market Size by Application: 2021 Versus 2025 Versus 2032
    • 1.4.2 Large Enterprises
    • 1.4.3 SMEs
  • 1.5 Global Music Promoter Software Market Size & Forecast
  • 1.6 Global Music Promoter Software Market Size and Forecast by Region
    • 1.6.1 Global Music Promoter Software Market Size by Region: 2021 VS 2025 VS 2032
    • 1.6.2 Global Music Promoter Software Market Size by Region, (2021-2032)
    • 1.6.3 North America Music Promoter Software Market Size and Prospect (2021-2032)
    • 1.6.4 Europe Music Promoter Software Market Size and Prospect (2021-2032)
    • 1.6.5 Asia-Pacific Music Promoter Software Market Size and Prospect (2021-2032)
    • 1.6.6 South America Music Promoter Software Market Size and Prospect (2021-2032)
    • 1.6.7 Middle East & Africa Music Promoter Software Market Size and Prospect (2021-2032)

2 Company Profiles

  • 2.1 Prism
    • 2.1.1 Prism Details
    • 2.1.2 Prism Major Business
    • 2.1.3 Prism Music Promoter Software Product and Solutions
    • 2.1.4 Prism Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.1.5 Prism Recent Developments and Future Plans
  • 2.2 Muzeek
    • 2.2.1 Muzeek Details
    • 2.2.2 Muzeek Major Business
    • 2.2.3 Muzeek Music Promoter Software Product and Solutions
    • 2.2.4 Muzeek Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.2.5 Muzeek Recent Developments and Future Plans
  • 2.3 Gigwell
    • 2.3.1 Gigwell Details
    • 2.3.2 Gigwell Major Business
    • 2.3.3 Gigwell Music Promoter Software Product and Solutions
    • 2.3.4 Gigwell Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.3.5 Gigwell Recent Developments and Future Plans
  • 2.4 Soundcharts
    • 2.4.1 Soundcharts Details
    • 2.4.2 Soundcharts Major Business
    • 2.4.3 Soundcharts Music Promoter Software Product and Solutions
    • 2.4.4 Soundcharts Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.4.5 Soundcharts Recent Developments and Future Plans
  • 2.5 Beatswitch
    • 2.5.1 Beatswitch Details
    • 2.5.2 Beatswitch Major Business
    • 2.5.3 Beatswitch Music Promoter Software Product and Solutions
    • 2.5.4 Beatswitch Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.5.5 Beatswitch Recent Developments and Future Plans
  • 2.6 Eventbrite
    • 2.6.1 Eventbrite Details
    • 2.6.2 Eventbrite Major Business
    • 2.6.3 Eventbrite Music Promoter Software Product and Solutions
    • 2.6.4 Eventbrite Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.6.5 Eventbrite Recent Developments and Future Plans
  • 2.7 Sonicbids
    • 2.7.1 Sonicbids Details
    • 2.7.2 Sonicbids Major Business
    • 2.7.3 Sonicbids Music Promoter Software Product and Solutions
    • 2.7.4 Sonicbids Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.7.5 Sonicbids Recent Developments and Future Plans
  • 2.8 Bandsintown
    • 2.8.1 Bandsintown Details
    • 2.8.2 Bandsintown Major Business
    • 2.8.3 Bandsintown Music Promoter Software Product and Solutions
    • 2.8.4 Bandsintown Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.8.5 Bandsintown Recent Developments and Future Plans
  • 2.9 Groover
    • 2.9.1 Groover Details
    • 2.9.2 Groover Major Business
    • 2.9.3 Groover Music Promoter Software Product and Solutions
    • 2.9.4 Groover Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.9.5 Groover Recent Developments and Future Plans
  • 2.10 Landr
    • 2.10.1 Landr Details
    • 2.10.2 Landr Major Business
    • 2.10.3 Landr Music Promoter Software Product and Solutions
    • 2.10.4 Landr Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.10.5 Landr Recent Developments and Future Plans
  • 2.11 Symphonic
    • 2.11.1 Symphonic Details
    • 2.11.2 Symphonic Major Business
    • 2.11.3 Symphonic Music Promoter Software Product and Solutions
    • 2.11.4 Symphonic Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.11.5 Symphonic Recent Developments and Future Plans
  • 2.12 DISCO
    • 2.12.1 DISCO Details
    • 2.12.2 DISCO Major Business
    • 2.12.3 DISCO Music Promoter Software Product and Solutions
    • 2.12.4 DISCO Music Promoter Software Revenue, Gross Margin and Market Share (2021-2026)
    • 2.12.5 DISCO Recent Developments and Future Plans

3 Market Competition, by Players

  • 3.1 Global Music Promoter Software Revenue and Share by Players (2021-2026)
  • 3.2 Market Share Analysis (2025)
    • 3.2.1 Market Share of Music Promoter Software by Company Revenue
    • 3.2.2 Top 3 Music Promoter Software Players Market Share in 2025
    • 3.2.3 Top 6 Music Promoter Software Players Market Share in 2025
  • 3.3 Music Promoter Software Market: Overall Company Footprint Analysis
    • 3.3.1 Music Promoter Software Market: Region Footprint
    • 3.3.2 Music Promoter Software Market: Company Product Type Footprint
    • 3.3.3 Music Promoter Software Market: Company Product Application Footprint
  • 3.4 New Market Entrants and Barriers to Market Entry
  • 3.5 Mergers, Acquisition, Agreements, and Collaborations

4 Market Size Segment by Type

  • 4.1 Global Music Promoter Software Consumption Value and Market Share by Type (2021-2026)
  • 4.2 Global Music Promoter Software Market Forecast by Type (2027-2032)

5 Market Size Segment by Application

  • 5.1 Global Music Promoter Software Consumption Value Market Share by Application (2021-2026)
  • 5.2 Global Music Promoter Software Market Forecast by Application (2027-2032)

6 North America

  • 6.1 North America Music Promoter Software Consumption Value by Type (2021-2032)
  • 6.2 North America Music Promoter Software Market Size by Application (2021-2032)
  • 6.3 North America Music Promoter Software Market Size by Country
    • 6.3.1 North America Music Promoter Software Consumption Value by Country (2021-2032)
    • 6.3.2 United States Music Promoter Software Market Size and Forecast (2021-2032)
    • 6.3.3 Canada Music Promoter Software Market Size and Forecast (2021-2032)
    • 6.3.4 Mexico Music Promoter Software Market Size and Forecast (2021-2032)

7 Europe

  • 7.1 Europe Music Promoter Software Consumption Value by Type (2021-2032)
  • 7.2 Europe Music Promoter Software Consumption Value by Application (2021-2032)
  • 7.3 Europe Music Promoter Software Market Size by Country
    • 7.3.1 Europe Music Promoter Software Consumption Value by Country (2021-2032)
    • 7.3.2 Germany Music Promoter Software Market Size and Forecast (2021-2032)
    • 7.3.3 France Music Promoter Software Market Size and Forecast (2021-2032)
    • 7.3.4 United Kingdom Music Promoter Software Market Size and Forecast (2021-2032)
    • 7.3.5 Russia Music Promoter Software Market Size and Forecast (2021-2032)
    • 7.3.6 Italy Music Promoter Software Market Size and Forecast (2021-2032)

8 Asia-Pacific

  • 8.1 Asia-Pacific Music Promoter Software Consumption Value by Type (2021-2032)
  • 8.2 Asia-Pacific Music Promoter Software Consumption Value by Application (2021-2032)
  • 8.3 Asia-Pacific Music Promoter Software Market Size by Region
    • 8.3.1 Asia-Pacific Music Promoter Software Consumption Value by Region (2021-2032)
    • 8.3.2 China Music Promoter Software Market Size and Forecast (2021-2032)
    • 8.3.3 Japan Music Promoter Software Market Size and Forecast (2021-2032)
    • 8.3.4 South Korea Music Promoter Software Market Size and Forecast (2021-2032)
    • 8.3.5 India Music Promoter Software Market Size and Forecast (2021-2032)
    • 8.3.6 Southeast Asia Music Promoter Software Market Size and Forecast (2021-2032)
    • 8.3.7 Australia Music Promoter Software Market Size and Forecast (2021-2032)

9 South America

  • 9.1 South America Music Promoter Software Consumption Value by Type (2021-2032)
  • 9.2 South America Music Promoter Software Consumption Value by Application (2021-2032)
  • 9.3 South America Music Promoter Software Market Size by Country
    • 9.3.1 South America Music Promoter Software Consumption Value by Country (2021-2032)
    • 9.3.2 Brazil Music Promoter Software Market Size and Forecast (2021-2032)
    • 9.3.3 Argentina Music Promoter Software Market Size and Forecast (2021-2032)

10 Middle East & Africa

  • 10.1 Middle East & Africa Music Promoter Software Consumption Value by Type (2021-2032)
  • 10.2 Middle East & Africa Music Promoter Software Consumption Value by Application (2021-2032)
  • 10.3 Middle East & Africa Music Promoter Software Market Size by Country
    • 10.3.1 Middle East & Africa Music Promoter Software Consumption Value by Country (2021-2032)
    • 10.3.2 Turkey Music Promoter Software Market Size and Forecast (2021-2032)
    • 10.3.3 Saudi Arabia Music Promoter Software Market Size and Forecast (2021-2032)
    • 10.3.4 UAE Music Promoter Software Market Size and Forecast (2021-2032)

11 Market Dynamics

  • 11.1 Music Promoter Software Market Drivers
  • 11.2 Music Promoter Software Market Restraints
  • 11.3 Music Promoter Software Trends Analysis
  • 11.4 Porters Five Forces Analysis
    • 11.4.1 Threat of New Entrants
    • 11.4.2 Bargaining Power of Suppliers
    • 11.4.3 Bargaining Power of Buyers
    • 11.4.4 Threat of Substitutes
    • 11.4.5 Competitive Rivalry

12 Industry Chain Analysis

  • 12.1 Music Promoter Software Industry Chain
  • 12.2 Music Promoter Software Upstream Analysis
  • 12.3 Music Promoter Software Midstream Analysis
  • 12.4 Music Promoter Software Downstream Analysis

13 Research Findings and Conclusion

    14 Appendix

    • 14.1 Methodology
    • 14.2 Research Process and Data Source

    Summary:
    Get latest Market Research Reports on Music Promoter Software. Industry analysis & Market Report on Music Promoter Software is a syndicated market report, published as Global Music Promoter Software Market 2026 by Company, Regions, Type and Application, Forecast to 2032. It is complete Research Study and Industry Analysis of Music Promoter Software market, to understand, Market Demand, Growth, trends analysis and Factor Influencing market.

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